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Publication of the Final Volume of the Fifteen-Volume Northwestern-Newberry Edition of the Writings of Herman Melville

Published September 10, 2017 | By Robert Sandberg

Last month G. Thomas Tanselle, Alma A. MacDougall, Hershel Parker, and I at long last completed editing the nearly 1,000 manuscript leaves that comprise the final volume (vol. 13) of the fifteen-volume Northwestern-Newberry edition of The Writings of Herman Melville — “Billy Budd, Sailor” and Other Uncompleted Writings. The late Harrison Hayford had begun work on this final volume, but was unable to complete it before passing away in December 2001. The publication of this volume completes the publishing project begun in the mid-1960s by Hayford. Scores of editors have been involved in the publication of the fifteen-volume series. This final volume includes reading texts and new or corrected literal transcriptions of all the uncompleted prose and verse writings that Melville left in manuscript when he passed away on September 28, 1891. Work on this final volume has been ongoing for more than 35 years. Northwestern University Press will publish the volume in September 2017. Click here for the NUP Catalog listing and description.

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Henry James: Cognitive Introspector-in-Chief

Published August 30, 2014 | By Robert Sandberg

I look forward to unpacking and reflecting on this passage from Henry James’s The American:

His smile went through two or three curious phases. It felt, apparently, a momentary impulse to broaden; but this it immediately checked. Then it remained for some instants taking counsel with itself, at the end of which it decreed a retreat. It slowly effaced itself and left a look of seriousness modified by the desire not to be rude.

Soon…

Posted in Cognitive Science, Literature, Philosophy | Tagged co-dependent arising, epiphenomenalism, free will, Henry James, phenomenology, pratitya-samutpada

“Rip Van Winkle’s Lilac” – Melville’s Premonitory Vision of Posthumous Fame

Published July 2, 2014 | By Robert Sandberg

Herman Melville read and studied the poetry of the great romantics. And so he likely had read, at least once, John Keats’s sonnet, “When I Have Fears That I May Cease To Be.”

When I have fears that I may cease to be
Before my pen has glean’d my teeming brain,
Before high piled books, in charact’ry,
Hold like rich garners the full-ripen’d grain;
When I behold, upon the night’s starr’d face,
Huge cloudy symbols of a high romance,
And feel that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love;—then on the shore
Of the wide world I stand alone, and think,
Till Love and Fame to nothingness do sink.

Compare Keats’s sonnet with these lines of verse that conclude Melville’s prose-and-verse piece, “Rip Van Winkle’s Lilac.” Keats, young; Melville, elderly; both writing in verse to express their hope for posthumous literary fame and glory. Neither knew wide-spread fame while alive, but because of the few friends and family who did understand and appreciate their work, they each flourished creatively.

Came about
That neighbors, unconcerned before
When bloomed the tree by lowly door,
Craved now one little slip to train;
Neighbor from neighbor begged again.
On every hand stem shot from slip,
Till, that region now is dowered
Like the first Paradise embowered,
Thanks to poor, good-for-nothing Rip!

Some think those parts should bear his name;
But, no, — the blossoms take the fame.
Slant finger-posts by horsemen scanned
Point the green miles–To Lilac Land.
Go ride-there down one charmful lane,
O reader mine, when June’s at best,
A dream of Rip shall slack the rein,
For there his heart flowers out confessed.
And there you’ll say,–O, hard ones, truce!
See, where man finds in man no use,
Boon Nature finds one–Heaven be blest!